Her writings try to draw the formal attributes of their media into their content. Her visual work revolves mainly around materialising absence.
The requirements of a language that wants to refer to absence, without filling it’s void and becoming the subject, make that her figurative imagery is often of an intimate, airy, fragmented, deconstructed and/or small scaled quality.
The result is a fixed plot, a fixed form (hand drawn leporello publications) with fixed pages and different drawings in every version of the publication. The catalogue providing it’s imagery is ever-growing.